Running Time: 2 hours and 15 minutes including on 15-minute intermission.
Queens
written by Martyna Majok
directed by Trip Cullman
with Brooke Bloom, Anna Chlumsky, Sharlene Cruz, Marin Ireland, Julia Lester, Nadine Malouf, Andrea Syglowski, Nicole Villamil
OFF-BROADWAY AT
New York City Center Stage I
From Pulitzer Prize winner Martyna Majok (Cost of Living, Sanctuary City) comes an epic drama about hunting for the American Dream, finding family, and facing the ghosts you left behind. In an illegal basement apartment in Queens, multiple generations of immigrant women fight to launch a new life. But when a young Ukrainian woman comes searching for the mother who abandoned her years ago, she forces a reckoning with the impossible choices the women made to survive. Directed by Trip Cullman (We Had A World, Choir Boy), Queens chronicles the strivers who sacrificed whole worlds for the chance at something remarkable.
Major support for Queens is provided by Regina D. Kessler.
This newly imagined version of Queens was commissioned by The Hermitage Greenfield Prize (The Hermitage Artist Retreat, Andy Sandberg, Artistic Director) and co-commissioned by The Almeida Theatre, Rupert Goold, Artistic Director, Denise Wood, Executive Director, and Manhattan Theatre Club, Lynne Meadow, Artistic Director, Barry Grove, Executive Producer through the Edgerton Foundation New Play commission program.
“THRILLINGLY ALIVE WITH A POWERHOUSE ENSEMBLE.”
The Washington Post
“EXPLOSIVE! POWERFULLY WRITTEN BY MARTYNA MAJOK, BEAUTIFULLY ACTED, AND IMMACULATELY directed by Trip Cullman.”
– The New York Times
“MARIN IRELAND GIVES A LEAR-ESQUE, CAREER DEFINING PERFORMANCE.”
– Vanity Fair
“A PROPULSIVE PORTRAIT OF THE IMMIGRANT EXPERIENCE.”
– New York Theatre Guide
“POIGNANT AND POWERFUL! THE CAST IS FLAWLESS.”
– New York Sun
General Info / Accessibility
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Click here for a seating chart. Stage I seats 299. All seats are on Orchestra level—all seating accessible by elevator. Stage I is accessible to people with disabilities and is equipped with both assistive listening and hearing-aid compatible devices. For more information on accessibility, please click here.
Run time is approximately 2 hours and 15 minutes including one 15-minute intermission.
This production includes flashing lights, strobe effects, haze, fog, and herbal cigarettes.
Manhattan Theatre Club produces a wide range of theatre both on and off-Broadway. In a history spanning almost 50 years, they have won 31 Tony Awards, 7 Pulitzer Prizes, and developed into one of the country’s most acclaimed theatres.
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Student tickets are available at the box office on the day of the show when the box office opens. Tickets are $30 (including all fees), payable by cash or credit card, and are available to students with an ID from a degree or diploma granting institution. Tickets are subject to availability and are limited to two per valid ID. Note that students aged 35 or under may prefer to purchase their tickets through the MTC35 program instead – see above.
Cast
Brooke Bloom
Pelagiya
Brooke Bloom is an acclaimed film, television, and stage actress. On screen, she has appeared in FX’s “Atlanta” and “Kindred,” Amazon’s “Homecoming,” USA’s “The Sinner,” HBO’s “Gypsy,” and “Alpha House” for Amazon. Her film credits include The Surrogate (SXSW), Minyan (Berlin Film Festival), She’s Lost Control (nominated for two Independent Spirit Awards), and Noah Baumbach’s Marriage Story and White Noise. On stage, Bloom won an Obie Award and received a Drama Desk nomination for her performance in Clare Barron’s You Got Older. Other notable theater work includes Lucy (Minetta Lane/Audible), Cloud Nine (Atlantic Theater Company), I’m Looking for Helen of Twelvetrees (by David Greenspan), Everybody (Signature Theatre), and Fairview (Berkeley Rep). She lives in New York City and is represented by TalentWorks and Circle Management + Production.
Anna Chlumsky
Agata
Anna Chlumsky is a six-time Emmy-nominated actress renowned for her work in film, television, and theater. She can currently be seen starring in Apple TV+’s “Smoke” opposite Jurnee Smollett and Taron Egerton. Chlumsky also recently starred in Magenta Light’s Bride Hard with Rebel Wilson. In 2022, she was seen in the Shondaland/Netflix series “Inventing Anna,” as the journalist Vivian Kent. Chlumsky earned six consecutive nominations for an Emmy for her role as Amy Brookheimer in HBO’s “Veep.” She was also nominated for a Critics Choice Award, and is a winner of the SAG Award for Outstanding Ensemble Performance in a Comedy Series. She has appeared in such films as, My Girl, its sequel, In The Loop, The End of the Tour, Hala, They/Them, and the upcoming On The End. Chlumsky appeared on Broadway in You Can’t Take It With You and Living on Love (also at Williamstown). Additional theater credits include: Babbit (La Jolla Playhouse); Cardinal (Second Stage); 3C (Rattlestick); Love, Loss, and What I Wore (Westside Theatre); So Help Me God (Mint Theatre Company); Unconditional (LAByrinth Theater Company); The Fabulous Life of a Size Zero (DR2); Darwin in Malibu (Bay Street Theatre); The Butcherhouse Chronicles (Summer Play Festival); Balm in Gilead (Barefoot Theater Company – Member); Half Life (Flea Theater/Fringe Festival); Iphigeneia at Aulis (TimeSpace Productions); Measure for Measure (Astoria Performing Arts Center); No Alarms: Headfullofradio (Veritas Productions); The Trojan Women (Veritas Productions), and as Rosalind Franklin in the Audible production of Photograph 51. Other TV credits include “Halt and Catch Fire,” “Hannibal,” “30 Rock,”Law & Order: SVU,” “Law & Order,” and “Evil”. Anna currently resides in New York.
Sharlene Cruz
Glenys
Sharlene Cruz stars in the award-winning film In the Summers, alongside Residente. The film premiered at the 2024 Sundance Film Festival, where it won both the Grand Jury Prize for U.S. Dramatic Film and the Directing Award. It launched in theaters nationwide and is now streaming on Hulu. On television, Cruz stars in major recurring roles on Showtime’s “Flatbush Misdemeanors” and NBC’s “Chicago P.D.” On stage, she originated the role of ‘G’ in Martyna Majok’s Sanctuary City at New York Theatre Workshop, directed by Rebecca Frecknall—earning recognition as a New York Times “Breakout Star of 2021.” She also starred in Bedlam’s The Good John Proctor, named one of The New Yorker’s “Best Theatre of 2023.” Other stage credits include Mac Beth (Hunter Theater Project, dir. Erica Schmidt) and CA Johnson’s The Climb at Cherry Lane Theatre. Sharlene is represented by Anonymous Content.
Marin Ireland
Renia
Broadway: Reasons to be Pretty (Theatre World Award, Tony nomination), The Big Knife, After Miss Julie. Selected Off-Broadway: Spain (Second Stage), Uncle Vanya (OHenry Productions, Callaway Award, Drama Desk nomination), Blue Ridge (Atlantic), Morning Sun (MTC), Summer and Smoke (Transport Group/CSC), Ironbound (Rattlestick, Drama Desk nomination), Three Sisters (CSC), Cyclone (Studio Dante, Obie Award), Blasted, Marie Antoinette (Soho Rep), In the Wake (The Public Theater), 4.48 Psychosis (Royal Court tour). TV/film includes Materialists, “Dope Thief,” “Justified: City Primeval,” Eileen (Independent Spirit Award nomination), “The Umbrella Academy,” “Y: The Last Man,” “Sneaky Pete,” “Girls,” “Homeland,” Glass Chin (Independent Spirit Award nomination), Birth/Rebirth, The Boogeyman, The Dark and The Wicked, The Irishman, and Hell or High Water. Upcoming TV: “Devil in Disguise: John Wayne Gacy”, “His & Hers.”
Julia Lester
Inna
Most recently seen as Wilma in the Off-Broadway world premiere of All Nighter (Clarence Derwent Award winner, Drama Desk nomination, Lucille Lortel nomination) and as Lila in “The Four Seasons” on Netflix. She was also seen as Little Red in the 2022 Broadway Revival of Into the Woods (Tony, Drama Desk, and OCC nominations, Grammy win), Miss Marmelstein in I Can Get It For You Wholesale (Classic Stage Company), and Martha in The Secret Garden (Center Theatre Group). Add’l TV/film credits: Ashlyn in “High School Musical: The Musical: The Series” (Disney+), “Prom Dates” (Hulu), and “Mom”(CBS).
Nadine Malouf
Aamani
Off-Broadway: The Welkin (Atlantic Theater Company); Grief Hotel (Clubbed Thumb/The Public); Montag (Soho Rep (Obie Award Special Citation Lead Performance); The Vagrant Trilogy, A Bright Room Called Day (The Public); Dead Are My People (Next Door at NYTW); Intractable Woman, Oh My Sweet Land (The Play Company); Queens, The Who & The What (LCT3); Today Is My Birthday, Ultimate Beauty Bible (Page 73). Regional Theatre: The Janeiad (The Old Globe); Yerma (Huntington); A Thousand Splendid Suns (ACT & Theatre Calgary); Salomé (Shakespeare Theatre Company, (7 Helen Hayes Awards). Television/Film: “The Penguin,” “High Fidelity,” “High Maintenance,” “The Looming Tower,” Hide, American Insurrection, May in the Summer. Nadine is a recipient of Lincoln Center Theater’s 2019 Emerging Artist Award.
Andrea Syglowski
Lera
Andrea Syglowski is thrilled to be back on stage at MTC! She was last seen in MTC’s production of Brooklyn Laundry, written and directed by John Patrick Shanley. Broadway: Pass Over. Off-Broadway: Amerikin by Chisa Hutchinson and Dig by Theresa Rebeck (Primary Stages), Halfway Bitches Go Straight to Heaven by Stephen Adly Guirgis (Atlantic), Queens by Martyna Majok (Lincoln Center). Regional: The Price (Two River Theater), Cry It Out (Humana/Dorset), A Doll’s House (Huntington), The May Queen (Playmakers Rep), The Nest (Denver Center), Of Good Stock (South Coast Rep), Venus in Fur (Huntington – winner of the Elliot Norton and IRNE Awards) among many more. TV: “Will Trent,” “And Just Like That,” “Evil,” “New Amsterdam,” “Blue Bloods,” “Elementary,” “How To Get Away with Murder,” and “The Good Wife.” She is playing Sammy in the upcoming “The Terror: Devil in Silver” on AMC to be released in 2026. Training: USC/Juilliard – recipient of the Robin Williams Scholarship.
Nicole Villamil
Isabela
Recent Credits: Romeo and Juliet (A.R.T), Merry Me (New York Theatre Workshop), Wolf Play (MCC Theater, Soho Rep), How to Load a Musket (59E59), Network (Broadway), Queens (LCT3), Lessons in Survival (Vineyard Theatre-Online Series), MUD (Boundless Theatre), Shakespeare’s R&J (Hangar Theatre), De Profundis (PlayMakers Rep). TELEVISION: “New Amsterdam,” “The Last OG.” Education: M.F.A., Brown/Trinity Repertory Co.; B.A., University of Pennsylvania. She is a 2023 Lucille Lortel Award Recipient for Outstanding Ensemble. @nicoleavillamil @the_pack_company.
Brooke Bloom
Pelagiya
Anna Chlumsky
Agata
Sharlene Cruz
Glenys
Marin Ireland
Renia
Julia Lester
Inna
Nadine Malouf
Aamani
Andrea Syglowski
Lera
Nicole Villamil
Isabela
Amaia Arana
U/S Isabela, Glenys
is a multidisciplinary artist who is thrilled to be returning to MTC! Broadway: The Collaboration (MTC). Regional: Three Sisters (Two River Theatre); Christa McAuliffe’s Eyes Were Blue (Center Theatre Group); Merchant of Venice, Richard III, Coriolanus (Shakespeare Theatre of NJ). TV: “New Amsterdam, “The Blacklist” (NBC). MFA: NYU Grad Acting. Amaia is currently working on her debut novel about Witches at an all-girls Catholic high school and is always finding new ways of storytelling through creating surrealist hand-cut collages @thepapaiapages. Big love to Kelly Gillespie, Jack, Shana, Weary Artists Salon, Writing Coven, my friends + family for the spoons, Roxie y mi amor. Te quiero mas.
Awesta Zarif
u/s Aamani
MTC debut! Credits include Soraya in The Kite Runner (national tour), Afiya in Selling Kabul (Signature Theatre, Seattle Rep, InterAct Theatre), Margot in Dial M for Murder (Pioneer Theatre/Arizona Theatre Company, Geva Theatre), Stephanie Rahn in Ink (Round House Theatre/Olney Theatre Center, Helen Hayes nomination), Blanche/Grace in Jane Eyre (Geva). Awesta held a residency at UNESCO’S International Theatre Institute in Croatia, a fellowship at Accademia dell’Arte’s Collaborative Arts Lab in Italy, and spent several years living and performing in Shanghai. Her latest film, On the Mountain, is streaming on PBS. Awesta’s a proud immigrant and former asylee from Afghanistan, living in Queens. B.F.A. Boston University. @awestaz. #letafghangirlslearn
Ino Badanjak
U/S Renia
Off-Broadway debut. Selected regional theater: Romeo & Juliet (Shakespeare in the Sound), Phaedra’s Love (Lenfest Center for the Arts) TV credits: “Pretty Little Liars: Summer School” (HBO Max), “Law & Order: SVU” (NBC), “The Assassins” (Prime UK), and upcoming Season 2 of “The Pitt”(HBO Max). 2023 Princess Grace Award. Juilliard MFA.
Amaia Arana
U/S Isabela, Glenys
Awesta Zarif
u/s Aamani
Ino Badanjak
U/S Renia
Annie Funke
U/S Pelagiya, Agata
Broadway: Hairspray, Wicked (SF). Off-Broadway: If There Is I Haven’t Found It Yet (Lucille Lortel Award), Punk Rock, Silence! The Musical. TV: “Criminal Minds: Beyond Borders,” “This Is Us,” “The Offer,” “Grey’s Anatomy,” “Chicago Fire,” “Lucifer.” Regional: What the Constitution Means to Me. School at Steppenwolf alum. OU School of Musical Theatre. Many thanks and much love to her incredible wife, her family, and to the strong women everywhere who sacrifice so much.
Alyssa May Gold
U/S Inna, Lera
Alyssa May Gold is delighted to return to MTC after appearing in the Tony-nominated revival of How I Learned to Drive. Broadway: Arcadia; Off-Broadway includes: Our Dear Dead Drug Lord (WP Theater/2nd Stage), Fish (Signature), Julius Caesar set in an all-girls high school (Pocket Universe), Lemon Sky (Keen Company). Film/TV: Rebel in the Rye, Taking Woodstock, Divine Secrets of the Ya-Ya Sisterhood, “The Marvelous Mrs Maisel.” Alyssa founded Pocket Universe, a company dedicated to reconsidering and reimagining classic stories and conventions, whose production of her play, The Girl You Talk To, was named one of NY Theatre Guide’s Top Theatre of 2023. She is represented by CTG Proud member: Team SMASHY.
Annie Funke
U/S Pelagiya, Agata
Alyssa May Gold
U/S Inna, Lera
Creative
Martyna Majok
Playwright
Martyna Majok is a Pulitzer Prize-winning playwright, screenwriter, and librettist. Her Broadway debut play, Cost of Living, for which she won the Pulitzer, was nominated for the Tony Award for Best Play. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages, and the libretto for Gatsby: An American Myth, with music by Florence Welch and Thomas Bartlett. Other awards include a Guggenheim Fellowship, The Steinberg Distinguished Playwright Award, Arthur Miller Foundation Legacy Award, The Obie Award for Playwriting, The Hull-Warriner Award, The Academy of Arts and Letters’ Benjamin Hadley Danks Award for Exceptional Playwriting, The Sun Valley Playwrights Residency Award, Off Broadway Alliance Best New Play Award, The Lucille Lortel Award for Outstanding New Play, The Hermitage Greenfield Prize, as the first female recipient in drama, The Champions of Change Award from the NYC Mayor’s Office, The Francesca Primus Prize, two Jane Chambers Playwriting Awards, The Lanford Wilson Prize, The Lilly Award’s Stacey Mindich Prize, Helen Merrill Emerging Playwright Award, Charles MacArthur Award for Outstanding Original New Play from The Helen Hayes Awards, Jean Kennedy Smith Playwriting Award, ANPF Women’s Invitational Prize, David Calicchio Prize, Global Age Project Prize, NYTW 2050 Fellowship, NNPN Smith Prize for Political Playwriting, and Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently adapting Ray Bradbury’s “Fahrenheit 451” for the Broadway stage, has developed TV projects for HBO, and is working on several feature adaptations.
Trip Cullman
Director
Broadway: Cult of Love (Outer Critics Circle nom., Best Direction), The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: We Had A World, Choir Boy (MTC); Murder Ballad (MTC and Union Square Theatre); I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics Circle) (CSC); The Lonely Few, Moscow Moscow Moscow Moscow Moscow Moscow, YEN, Punk Rock (Obie Award), A Funny Thing Happened On The Way To The Gynecologic Oncology Unit At Memorial Sloan Kettering Cancer Center Of New York City (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I’m Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom., Best Direction), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); The Mother, I’m Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); and several productions with The Play Company. London: The Colby Sisters of Pittsburgh, PA (Tricycle). Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown Theatre Festival.
Marsha Ginsberg
Scenic Design
Tony-nominated scenic designer (Sanaz Toosi’s English at Roundabout). She works between performance, opera and photo/installation formats. She has designed spaces and clothes for theatres and museums in NYC, regionally throughout the United States and internationally (Germany, Switzerland, France, Greece, UAE). Recent U.S. work: Don Pasquale (Opera Theater Saint Louis), The Aves (Berkeley Rep), Data (Arena Stage), The Lehman Trilogy (Shakespeare DC/Guthrie Theater), Primary Trust (Roundabout/La Jolla). Upcoming: Hildegard, Beth Morrison Projects and LA Opera; Suddenly Last Summer, Bard Summerscape.
Sarah Laux
Costume Design
TV: “Godfather of Harlem” seasons two-four, “High Fidelity.” Film: Not Okay, The Sixth Reel, Freakshow. Broadway: Dead Outlaw, John Proctor Is the Villain, Prayer for the French Republic, Kimberly Akimbo, The Band’s Visit, Fully Committed, The Humans. Selected Off-Broadway: Lowcountry (Atlantic), Wish You Were Here (Playwrights Horizons, Lucille Lortel nomination), The Wanderer (Paper Mill Playhouse), Man From Nebraska (Second Stage), Jerry Springer: The Opera (The New Group, Obie Award).
IG: @lauxy123
Ben Stanton
Lighting Design
is a lighting designer for theatre, concerts, dance, installations and events. He is a five-time Tony Award nominee and an Obie, Lortel, Hewes and Ovation Award winner. Ben is currently represented on Broadway with Maybe Happy Ending; in London with Good Night, Oscar; and on the North American tour of the musical The Notebook. For MTC (selected): We Had a World, Mary Jane, The Collaboration, The Lion, Murder Ballad, The Whipping Man, An Enemy of the People, Humor Abuse.
Mikaal Sulaiman
Original Music & Sound Design
is a multi-disciplinary artist working as a sound designer, composer, writer and director in theatre, TV/film and podcasts. Broadway: Art, Pirates! The Penzance Musical, The Roommate, An Enemy of the People, Doubt, The Thanksgiving Play, Fat Ham, Death of a Salesman, Cost of Living, Macbeth, Thoughts of a Colored Man. Awards: Tony Award nomination, Drama Desk nomination, Obie Awards, Creative Capital Award, Henry Hewes Awards.
mikaal.com
J. Jared Janas
Wig, Hair & Makeup Design
Select Broadway: Dead Outlaw; John Proctor Is the Villain; Buena Vista Social Club; Prayer for the French Republic; Purlie Victorious; Good Night, Oscar; Sweeney Todd…; Ohio State Murders; & Juliet; Kimberly Akimbo; Frankie and Johnny…; Gettin’ the Band Back Together; Indecent; Sunset Boulevard; The Visit; The Real Thing; Lady Day at Emerson’s Bar & Grill; Motown; Peter and the Starcatcher; The Gershwins’ Porgy and Bess. Recent Off-Broadway: Masquerade.
Jane Guyer Fujita
Dialect Coach
is head of voice and speech at NYU’s Graduate Acting Program. Broadway credits include Cabaret, Dear Evan Hansen and Bronx Bombers. Recent film and television work includes “Lazarus,” By Any Means, The Life and Death of Wilson Shedd and Lillies Not for Me. She is the director of the New York Voice Center, offering breath, presence and communication workshops for teams and individuals.
Rocío Mendez
Fight Choreographer
was recently nominated for two Drama Desk Awards and is the resident intimacy director at Oregon Shakespeare Festival. Credits include Broadway: POTUS, Ain’t No Mo, Merrily We Roll Along, The Great Gatsby. Off-Broadway/regional theatre: Bull Durham, The Great Gatsby (Paper Mill Playhouse); Gatsby (A.R.T.); How to Defend Yourself, On Sugarland (NYTW); The Bandaged Place (Roundabout); The Harder They Come, Merry Wives, Romeo y Julieta (The Public Theater); NIOR (Alley Theatre).
rociomendez.com
Katie Ailinger
Production Stage Manager
returns to MTC, having stage managed The New Englanders, Golden Shield and In the Body of the World at City Center. Broadway: Othello; Mary Jane; Summer, 1976. Select Off-Broadway: The Refuge Plays (Roundabout); Grangeville (Signature); Lowcountry (Atlantic); The Pain of My Belligerence, The Thanksgiving Play (Playwrights Horizons); Nice Fish (St. Ann’s Warehouse). Regional credits include Center Theatre Group, Huntington Theatre, and seven seasons at the American Repertory Theater. Every ounce of love to Ben and Efram for helping me be the sky.
Bianca Mercado-Boller
Stage Manager
has worked with Ensemble Studio Theatre, Syracuse Stage, Signature, Little Island, Williamstown Theatre Festival and The Public. Select credits include Galas (Little Island), Not About Nightingales (Williamstown Theatre Festival), Grangeville (Signature), Clyde’s (Syracuse Stage), Some Like It Hot (national tour) and Harry Potter and the Cursed Child (Broadway).
Education: Syracuse University, Juilliard Apprentice Program.
Martyna Majok
Playwright
Trip Cullman
Director
Marsha Ginsberg
Scenic Design
Sarah Laux
Costume Design
Ben Stanton
Lighting Design
Mikaal Sulaiman
Original Music & Sound Design
J. Jared Janas
Wig, Hair & Makeup Design
Jane Guyer Fujita
Dialect Coach
Rocío Mendez
Fight Choreographer
Katie Ailinger
Production Stage Manager
Bianca Mercado-Boller
Stage Manager