Tony Award® -winning playwright and performer Sarah Jones (Bridge & Tunnel) returns to the New York stage as a dazzling medley of characters in Sell/Buy/Date, an exuberant new show inspired by the real-life experiences of people affected by the sex industry. Brimming with Jones’ masterful, multicultural characterizations, Sell/Buy/Date presents an honest, moving and even humorous look at a complex and fascinating subject, all while preserving the full humanity of voices seldom heard in the theater.
Final performance was December 3rd, 2016
Final performance was December 4th, 2016
A modern twist on the All-American love story, Qui Nguyen’s (She Kills Monsters) new play Vietgone pulses with contemporary energy. It’s the classic story of boy meets girl – except this boy and girl are refugees from the Vietnam War newly settled in a relocation camp inside Middle America. Borrowing elements from the world of up-to-the-minute popular culture to recreate the playwright’s own parents’ meeting, Vietgone ranges from hilarity to heart-wrenching drama. Nguyen and director May Adrales (Luce) skip through time and around the globe to present a fresh theatrical take on a moving account of one real family’s history.
Final performance was December 11th, 2016
Amidst the bustle of a crowded London train station, Georgie spots Alex, a much older man, and plants a kiss on his neck. This electric encounter thrusts these two strangers into a fascinating and life-changing game. Directed by Drama Desk Award winner Mark Brokaw (The Lyons, How I Learned to Drive), Heisenberg brings to blazing, theatrical life the uncertain and often comical sparring match that is human connection.
Internationally renowned for The Curious Incident of the Dog in the Night-Time, visionary playwright Simon Stephens returns to the New York stage with this sharply original world premiere starring Denis Arndt (The Night Alive, Basic Instinct) and Tony® and Emmy® winner Mary-Louise Parker (Proof, “Weeds”).
Final performance was March 12th, 2017
Only one of the plays in two-time Pulitzer Prize winner August Wilson’s masterful The American Century Cycle has never been seen on Broadway – until now. Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss’ son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last. MTC has a long history of co-producing works by this legendary playwright: King Hedley II, Seven Guitars and The Piano Lesson, and is proud to produce this Broadway debut. Directing is Ruben Santiago-Hudson, one of Wilson’s finest interpreters.
Final performance was April 2nd, 2017
Linda Wilde (Olivier Award winner Janie Dee) has it all. She’s an award-winning senior executive as well as a busy wife and mother. But when she pitches a revolutionary concept that could change the way the world looks at women of a certain age, she finds herself fighting for her own relevance as every part of her carefully considered life starts to show cracks. MTC is proud to present this timely, moving and fiercely funny new play by Penelope Skinner (last season’s acclaimed The Ruins of Civilization) in the American premiere directed by MTC Artistic Director Lynne Meadow.